Street scenes from around the Las Vegas Strip shot mostly raw with a beta Blackmagic Ursa Mini 4.6K. A few shots were done with the 2.5K Cinema Camera.Las Vegas! The land of lights, gambling, and NAB! When news broke on the original Cinema Camera back in 2012, I pre-ordered immediately and was one of the first people to have one in hand. I've used many different Blackmagic cameras since then (sometimes while wearing a BMD camera t-shirt) and this 4.6K beta model was provided to me by Blackmagic. What I'm saying is, I'm a fan, and my opinion should be taken with all that in mind.Having said that, this camera is amazing! Take for example the very first shot in this video, a day to night timelapse is nothing special and this one in particular isn't spectacular, but the fact that there's enough dynamic range to film the bright day and the dark night without ramping the exposure kind of amazes me! By the end the histogram was completely buried toward the left side and I was sure the whole experiment was for nothing, but in post it was there. It may have just barely worked, but it worked. 15 Stops of dynamic range is probably more than you need for many scenes, but it makes a huge difference when you do need it.Track: FebruaryKai Engelkai-engel.com/Cast: Andrew JulianTags: New York, Vegas, Bellagio, Aria, Las Vegas, Vegas Strip, Luxor, timelapse, 4.6k, ursa mini, Paris, Blackmagic and 120fps
